![]() For instance, Barnes and Noble’s web service lists 27,217 titles for Politics and Social Issues. Too general, too broad, too hard to define. Librarians have trouble rounding social fiction titles into one collection. More recently, House of Cards continues to make news while Neal Steffenson’s wildly intellectual books tackle power-hungry institutions. Add a bunch of 20th Century classics including Animal Farm, Fahrenheit 451, The Crucible, Dune Chronicles, Wall Street, Grapes of Wrath and the Jungle. It’s not a new thing, that dusty old delight, Gulliver’s Travels, remaining one of the best. Some librarians list these titles under Social Fiction. In a genre called Dystopian Fiction it warns us of when and how society is headed toward potential disaster. ![]() It casts fictional heroes and villains in lightly disguised roles of real-world characters. Certain writers though, are able to place their awareness outside the train to provide us with clues as to where we’re headed - and how fast.įiction often tells metaphorical truths in depth. ![]() Without them, we’re like passengers on a blacked-out train with little sense of direction or speed. In the hands of responsible writers, fiction reflects what’s happening and prophesies what’s coming up. And since social tensions peak during periods of change, Right-Now happens to be fertile ground for plot-lines like Hunger Games. Suzanne Collins, author of Hunger Games, pitted simple folk against an elitist and oppressive government, striking a nerve in people who wonder what the heck the world’s power brokers are up to.įiction sells best when it’s rooted in tensions of the real world. A year ago, the movie, Hunger Games, pulled in $155 million in its first weekend, making it one of the top earners of the decade.
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